The musical Hadestown first came on my radar early in 2019, a few months into my middle schooler’s Hamilton obsession. I was duly impressed with the latter’s theatrical and historical merits. But after a steady diet of the Schuyler Sisters, I was ready to see what else was on the contemporary Broadway scene.
But it wasn’t until about six months ago that I actually cued up a Hadestown playlist on YouTube. I was immediately swept away by the haunting melodies and intricate harmonies, but most of all, by the sense of yearning. I told my daughter, “You’ve got to listen to this.”