Several years ago my daughter and I read Elizabeth Goudge’s The Little White Horse (1946), said to be a childhood favorite of Harry Potter author JK Rowling. Goudge’s mix of whimsy, fantasy, and light-handed moralism intrigued me, as did her blend of Catholic and pagan imagery (not unlike C.S. Lewis’s employment of Greek mythology in The Chronicles of Narnia). Seeking more, I discovered Goudge (1900-1984) had written almost twenty adult novels, in addition to short stories and children’s books.
I decided on The Rosemary Tree (1954), a novel set in post-WWII England. As with Marilynne Robinson’s Gilead, the protagonist is a mild-mannered minister–a kindhearted soul who doesn’t quite have a handle on family life. When a native son, back from the war, wanders onto the scene, John befriends him. Before long we learn this lost soul was once engaged to John’s wife.
About ten years ago a good friend, a Baylor honors professor, spoke of Evelyn Waugh’s Brideshead Revisited (1945) as “the most nearly perfect novel ever written.” Intriguing. I was compelled, of course, to read it.
My initial response? “Huh.” I was not so much disappointed as mystified. In what, precisely, lay the perfection? And what was it really about? I concluded my education had not properly prepared me to appreciate it.
Many people, I have since learned, respond similarly to a first reading of Brideshead. When another friend told me, three or four years ago, that she was reading it alongside a Close Reads discussion podcast, I decided to give it another go. This time, whether thanks to the Close Reads commentary or my own heightened awareness of where the book was heading, I got it.
The intuitive outcome of my February 2020 reading was a resolution to make George MacDonald a literary staple of future winters. A logical accounting of what makes his fairy stories particularly suitable for the season, however, has proved more elusive.
MacDonald’s fairy tales are by no means escapist. Some, like “The Wise Woman,” are unscrupulously didactic. Nor does it do them justice merely to call them “hopeful,” in contrast to much contemporary literature I have run across of late. Continue reading
I read this short volume a month or so ago, but Holy Week strikes me as an appropriate time to review it. The title is a trifle misleading, in that Varden (b. 1974), a Benedictine monk from Norway, writes not so much about loneliness as about the whole of the Christian life. Loneliness, nevertheless, provides an apt starting point from which to approach theology; the basis of Christianity is God’s drawing near to us and, thus, drawing believers into fellowship with one another.
Loneliness is also uniquely relevant during these weeks and months in which people all over the world have intentionally, and largely voluntarily, isolated themselves as a precaution against COVID 19. Nevertheless, viewed from another perspective, not since WWII have people around the globe been united in their vulnerability and response to a single crisis. Continue reading
In this season in which I and my home are being inundated with belongings, it is loss that I feel most keenly: the house that was my husband’s childhood home and mother-in-law’s abode for 55+ years; family history in the form of heirlooms, papers, books, and embroidered linens; and the woman who has been slowly slipping away from us for the past three years.
In the shuffle of moving, bringing home, and sending away, countless things have been lost, overlooked, or misplaced. Keys, library books, homework, Benjamins, memories (literally), sick chickens, broken mirrors, spilled milk, burnt rice, “the Alaska Letters,” and the book Leslie Leyland Fields gave me to review just before this whirlwind of relocation descended upon us. Continue reading
Francis Spufford’s Unapologetic is a witty, engaging defense of Christian faith from a respected British writer. For this reason alone I wanted to like it. It is directed toward those whose a priori assumption is that there is no place for God in modern society–that intellect, education, and science have rendered belief in Him obsolete and irrational. Another reason I wanted to be able to endorse it. And I did, to all and sundry, throughout my reading of the first two-thirds of the book.
Spufford’s graphic descriptions of the reality of sin and its consequences effectively illustrate our dire need for grace–not just for those who have tragically destroyed their lives, but all of us. It is all well and good, he says, for atheists to urge us to relax, forget about God, and enjoy life. But to do so presupposes that our default state is peace, love, and joy. Anyone who is honest will admit that these are states that we have to work at and that we achieve, if at all, very temporarily and in part.