The White Mirror follows inadvertent investigator Li Du into the mountains after he has solved the mystery behind the murder of a Jesuit priest in Jade Dragon Mountain (click here for a brief endorsement). En route to Lhasa, the former imperial librarian finds himself snowed in amongst a company of travelers at a mountain valley inn. Click here for the complete introduction to the ensuing mystery and its milieu available on the author’s web site.
Hart’s Li Du novels present a sometimes disconcerting mix of exoticism and familiarity. The author imbues her characters and their surroundings with a sense of authenticity that makes us feel we could be watching at a wormhole into the distant world of 18th-century Qing China. But her use of standard mystery tropes and her skillful deployment of setting imparts the cozy ambience of a large, open hearth, beside which we sip a cup of puerh tea while a storyteller spins tales within and a blizzard rages without.
The premise of Barnaby Mayne drew me in when I first read about it, pre-publication–a mystery set amongst the curio cabinets of an 18th-century English collector of natural history. So I was elated to get my hands on a library copy in December–perfect timing for a cozy mystery.
It strikes me that Virgil Wander, by Leif Enger, shares a few elements in common with Once Upon a River, by Diane Setterfield (click here to read our review of the latter). It is set in a small town on a body of water (Lake Superior) and draws its cast of largely sympathetic characters from this cohesive community. Both books begin with a resurrection, of sorts, and end with a wedding. And in both cases the “death” preceding the resurrection takes place off stage, with essential details withheld until the appropriate moment. A subtle aura of mystery crops up here and there in both books. They’re the sort of happenings you accept at first and then say, “Wait–what did he say?”